In Everything Must Go, Tiana Graves' photographs capture the quiet unraveling of a life during an estate sale, where personal belongings become artifacts of the past. Once-cherished objects, rich with unknown stories, are examined, priced, and dispersed, shifting from intimate to impersonal. These time-capsule portraits explore the tension between memory and transaction, revealing the fleeting nature of ownership and the traces we leave behind. What becomes of life when reduced down to its possessions?

In Alexandra Elliott's New Works, she considers the concepts of re-creation and resurrection of brokenness. She works in the medium of broken glass and watercolor on canvas and likes to challenge the concept of beauty and wholeness by creating abstract works with what most would consider objects that are no longer useful. Through her work, she is greatly inspired by the Japanese concept of Wabi- Sabi or the ‘embracing of the flawed or imperfect’. Alexandra believes that no matter how broken, with proper attention anything can be transformed into something more beautiful than before. She hopes that others may subjectively feel the essence of Wabi- Sabi and be able to look at art and the world as a whole through a unique and ever questioning lens.